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<title>WackoZnyata - ЧешскаяСловацкая</title>
<link>http://wiki.znyata.com/ЧешскаяСловацкая</link>
<description>History/revisions of WackoZnyata/ЧешскаяСловацкая</description>
<language>en-us</language>
<item>
<title>2007-12-31 14:07:47</title>
<link>http://wiki.znyata.com/CheshskajaSlovackaja/show?time=2007-12-31+14%3A07%3A47</link>
<description>&lt;div class="pageBefore">&lt;img src="http://wiki.znyata.com/images/z.gif" width="1" height="1" border="0" alt="" style="display:block" align="top" />&lt;/div>&lt;div class="page">
&lt;b>Сравнение версий &lt;a name=".cheshskajaslovackaja" href="http://wiki.znyata.com/CheshskajaSlovackaja" class="">/Чешская&amp;nbsp;Словацкая&lt;/a> за &lt;a href="http://wiki.znyata.com/CheshskajaSlovackaja?time=2007-12-31+14%3A07%3A47">2007-12-31 14:07:47&lt;/a> и &lt;a href="http://wiki.znyata.com/CheshskajaSlovackaja">2007-12-31 14:09:18&lt;/a>&lt;/b>&lt;br />
&lt;br />
&lt;b>Добавлено:&lt;/b>&lt;br />
&lt;div class="additions">Проект, посященный раду авторов, проявивших себя так&amp;nbsp;или иначе в&amp;nbsp;постановочной фотографии, в&amp;nbsp;том числе — студийной. Имеются и&amp;nbsp;рукотворные работы (монтажи) докомпьютерной, как&amp;nbsp;видится, эры.&lt;/div>&lt;br />
&lt;b>Удалено:&lt;/b>&lt;br />
&lt;div class="deletions">Проект, посященный раду авторов, проявивших себя так&amp;nbsp;или иначе в&amp;nbsp;постановочной фотографии, в&amp;nbsp;том числе — студийной.&lt;/div>&lt;/div>
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<item>
<title>2007-12-31 14:07:26</title>
<link>http://wiki.znyata.com/CheshskajaSlovackaja/show?time=2007-12-31+14%3A07%3A26</link>
<description>&lt;div class="pageBefore">&lt;img src="http://wiki.znyata.com/images/z.gif" width="1" height="1" border="0" alt="" style="display:block" align="top" />&lt;/div>&lt;div class="page">
&lt;b>Сравнение версий &lt;a  href="http://wiki.znyata.com/CheshskajaSlovackaja" class="">/Чешская&amp;nbsp;Словацкая&lt;/a> за &lt;a href="http://wiki.znyata.com/CheshskajaSlovackaja?time=2007-12-31+14%3A07%3A26">2007-12-31 14:07:26&lt;/a> и &lt;a href="http://wiki.znyata.com/CheshskajaSlovackaja?time=2007-12-31+14%3A07%3A47">2007-12-31 14:07:47&lt;/a>&lt;/b>&lt;br />
&lt;br />
&lt;b>Добавлено:&lt;/b>&lt;br />
&lt;div class="additions">Staged photography is&amp;nbsp;one of&amp;nbsp;the most creative uses of&amp;nbsp;the medium. Everything comes from the&amp;nbsp;mind of&amp;nbsp;the artist and&amp;nbsp;has to&amp;nbsp;be constructed to&amp;nbsp;be photographed-especially for&amp;nbsp;those working in&amp;nbsp;the studio who&amp;nbsp;begin with a&amp;nbsp;blank slate (there are&amp;nbsp;no&amp;nbsp;references to&amp;nbsp;time or&amp;nbsp;place). Because of&amp;nbsp;the way&amp;nbsp;the artists work, this kind of&amp;nbsp;photography has&amp;nbsp;ties to&amp;nbsp;theatre and&amp;nbsp;dance, sculpture, “happenings,” and&amp;nbsp;literature. Photography is&amp;nbsp;particularly well suited to&amp;nbsp;producing narrative fictions because on&amp;nbsp;some level we&amp;nbsp;believe in&amp;nbsp;them, and&amp;nbsp;because they are&amp;nbsp;always out&amp;nbsp;of&amp;nbsp;context-the viewer is&amp;nbsp;invited to&amp;nbsp;weave the&amp;nbsp;“before" and&amp;nbsp;“after” sections of&amp;nbsp;the story themselves. In&amp;nbsp;this way&amp;nbsp;the artists are&amp;nbsp;full of&amp;nbsp;trust and&amp;nbsp;openness-they ask&amp;nbsp;you to&amp;nbsp;engage with them, to&amp;nbsp;follow them into their secret worlds. Even though each of&amp;nbsp;these artists has&amp;nbsp;a&amp;nbsp;distinctive voice, they have many common goals-for instance they are&amp;nbsp;interested in&amp;nbsp;the human condition and&amp;nbsp;our relationship to&amp;nbsp;the landscape. Even at&amp;nbsp;their most absurd or&amp;nbsp;whimsical, they are&amp;nbsp;searching for&amp;nbsp;something honest, something that touches us&amp;nbsp;all. They are&amp;nbsp;truly alchemists-standing in&amp;nbsp;the dark, swirling chemicals, searching for&amp;nbsp;the philosopher's stone-not to&amp;nbsp;turn one&amp;nbsp;metal into another, but&amp;nbsp;to&amp;nbsp;make the&amp;nbsp;soul a&amp;nbsp;more perfect vehicle for&amp;nbsp;divine wisdom.&lt;/div>&lt;br />
&lt;b>Удалено:&lt;/b>&lt;br />
&lt;div class="deletions">Staged photography is&amp;nbsp;one of&amp;nbsp;the most creative uses of&amp;nbsp;the medium. Everything comes from the&amp;nbsp;mind of&amp;nbsp;the artist and&amp;nbsp;has to&amp;nbsp;be constructed to&amp;nbsp;be photographed-especially for&amp;nbsp;those working in&amp;nbsp;the studio who&amp;nbsp;begin with a&amp;nbsp;blank slate (there are&amp;nbsp;no&amp;nbsp;references to&amp;nbsp;time or&amp;nbsp;place). Because of&amp;nbsp;the way&amp;nbsp;the artists work, this kind of&amp;nbsp;photography has&amp;nbsp;ties to&amp;nbsp;theatre and&amp;nbsp;dance, sculpture, “happenings,"” and&amp;nbsp;literature. Photography is&amp;nbsp;particularly well suited to&amp;nbsp;producing narrative fictions because on&amp;nbsp;some level we&amp;nbsp;believe in&amp;nbsp;them, and&amp;nbsp;because they are&amp;nbsp;always out&amp;nbsp;of&amp;nbsp;context-the viewer is&amp;nbsp;invited to&amp;nbsp;weave the&amp;nbsp;“before" and&amp;nbsp;“after” sections of&amp;nbsp;the story themselves. In&amp;nbsp;this way&amp;nbsp;the artists are&amp;nbsp;full of&amp;nbsp;trust and&amp;nbsp;openness-they ask&amp;nbsp;you to&amp;nbsp;engage with them, to&amp;nbsp;follow them into their secret worlds. Even though each of&amp;nbsp;these artists has&amp;nbsp;a&amp;nbsp;distinctive voice, they have many common goals-for instance they are&amp;nbsp;interested in&amp;nbsp;the human condition and&amp;nbsp;our relationship to&amp;nbsp;the landscape. Even at&amp;nbsp;their most absurd or&amp;nbsp;whimsical, they are&amp;nbsp;searching for&amp;nbsp;something honest, something that touches us&amp;nbsp;all. They are&amp;nbsp;truly alchemists-standing in&amp;nbsp;the dark, swirling chemicals, searching for&amp;nbsp;the philosopher's stone-not to&amp;nbsp;turn one&amp;nbsp;metal into another, but&amp;nbsp;to&amp;nbsp;make the&amp;nbsp;soul a&amp;nbsp;more perfect vehicle for&amp;nbsp;divine wisdom.&lt;/div>&lt;/div>
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<title>2007-12-31 14:07:01</title>
<link>http://wiki.znyata.com/CheshskajaSlovackaja/show?time=2007-12-31+14%3A07%3A01</link>
<description>&lt;div class="pageBefore">&lt;img src="http://wiki.znyata.com/images/z.gif" width="1" height="1" border="0" alt="" style="display:block" align="top" />&lt;/div>&lt;div class="page">
&lt;b>Сравнение версий &lt;a  href="http://wiki.znyata.com/CheshskajaSlovackaja" class="">/Чешская&amp;nbsp;Словацкая&lt;/a> за &lt;a href="http://wiki.znyata.com/CheshskajaSlovackaja?time=2007-12-31+14%3A07%3A01">2007-12-31 14:07:01&lt;/a> и &lt;a href="http://wiki.znyata.com/CheshskajaSlovackaja?time=2007-12-31+14%3A07%3A26">2007-12-31 14:07:26&lt;/a>&lt;/b>&lt;br />
&lt;br />
&lt;b>Добавлено:&lt;/b>&lt;br />
&lt;div class="additions">“Pataphysics is&amp;nbsp;the science of&amp;nbsp;imaginary solutions?and will describe a&amp;nbsp;universe which can&amp;nbsp;be&amp;nbsp;— and&amp;nbsp;perhaps should be&amp;nbsp;— envisaged in&amp;nbsp;the place of&amp;nbsp;the traditional one.” — Alfred Jarry&lt;/div>&lt;br />
&lt;b>Удалено:&lt;/b>&lt;br />
&lt;div class="deletions">“Pataphysics is&amp;nbsp;the science of&amp;nbsp;imaginary solutions?and will describe a&amp;nbsp;universe which can&amp;nbsp;be&lt;s>and perhaps should be&lt;/s>envisaged in&amp;nbsp;the place of&amp;nbsp;the traditional one.” — Alfred Jarry&lt;/div>&lt;/div>
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<item>
<title>2007-12-31 14:06:26</title>
<link>http://wiki.znyata.com/CheshskajaSlovackaja/show?time=2007-12-31+14%3A06%3A26</link>
<description>&lt;div class="pageBefore">&lt;img src="http://wiki.znyata.com/images/z.gif" width="1" height="1" border="0" alt="" style="display:block" align="top" />&lt;/div>&lt;div class="page">
&lt;b>Сравнение версий &lt;a  href="http://wiki.znyata.com/CheshskajaSlovackaja" class="">/Чешская&amp;nbsp;Словацкая&lt;/a> за &lt;a href="http://wiki.znyata.com/CheshskajaSlovackaja?time=2007-12-31+14%3A06%3A26">2007-12-31 14:06:26&lt;/a> и &lt;a href="http://wiki.znyata.com/CheshskajaSlovackaja?time=2007-12-31+14%3A07%3A01">2007-12-31 14:07:01&lt;/a>&lt;/b>&lt;br />
&lt;br />
&lt;b>Добавлено:&lt;/b>&lt;br />
&lt;div class="additions">Staged photography is&amp;nbsp;born out&amp;nbsp;of&amp;nbsp;boredom or&amp;nbsp;dissatisfaction with the&amp;nbsp;world. The&amp;nbsp;photographer wants to&amp;nbsp;see the&amp;nbsp;world as&amp;nbsp;a place where anything is&amp;nbsp;possible-a place full of&amp;nbsp;more beauty, more meaning, more play, more symbolism. In&amp;nbsp;the face of&amp;nbsp;Communism, these Czech and&amp;nbsp;Slovak artists were escapists and&amp;nbsp;surrealists-dreaming themselves into other realities and&amp;nbsp;making photographic documents of&amp;nbsp;them. Some of&amp;nbsp;them say&amp;nbsp;they are&amp;nbsp;making pataphysical theatre — theatre of&amp;nbsp;the absurd performed for&amp;nbsp;the camera.&lt;/div>&lt;br />
&lt;b>Удалено:&lt;/b>&lt;br />
&lt;div class="deletions">Staged photography is&amp;nbsp;born out&amp;nbsp;of&amp;nbsp;boredom or&amp;nbsp;dissatisfaction with the&amp;nbsp;world. The&amp;nbsp;photographer wants to&amp;nbsp;see the&amp;nbsp;world as&amp;nbsp;a place where anything is&amp;nbsp;possible-a place full of&amp;nbsp;more beauty, more meaning, more play, more symbolism. In&amp;nbsp;the face of&amp;nbsp;Communism, these Czech and&amp;nbsp;Slovak artists were escapists and&amp;nbsp;surrealists-dreaming themselves into other realities and&amp;nbsp;making photographic documents of&amp;nbsp;them. Some of&amp;nbsp;them say&amp;nbsp;they are&amp;nbsp;making pataphysical theatre--theatre of&amp;nbsp;the absurd performed for&amp;nbsp;the camera.&lt;/div>&lt;/div>
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<item>
<title>2007-12-31 14:04:13</title>
<link>http://wiki.znyata.com/CheshskajaSlovackaja/show?time=2007-12-31+14%3A04%3A13</link>
<description>&lt;div class="pageBefore">&lt;img src="http://wiki.znyata.com/images/z.gif" width="1" height="1" border="0" alt="" style="display:block" align="top" />&lt;/div>&lt;div class="page">
&lt;b>Сравнение версий &lt;a  href="http://wiki.znyata.com/CheshskajaSlovackaja" class="">/Чешская&amp;nbsp;Словацкая&lt;/a> за &lt;a href="http://wiki.znyata.com/CheshskajaSlovackaja?time=2007-12-31+14%3A04%3A13">2007-12-31 14:04:13&lt;/a> и &lt;a href="http://wiki.znyata.com/CheshskajaSlovackaja?time=2007-12-31+14%3A06%3A26">2007-12-31 14:06:26&lt;/a>&lt;/b>&lt;br />
&lt;br />
&lt;b>Добавлено:&lt;/b>&lt;br />
&lt;div class="additions">“It is&amp;nbsp;possible to&amp;nbsp;create any&amp;nbsp;picture a&amp;nbsp;person imagines.” — Les&amp;nbsp;Krims&lt;br />
“When I&amp;nbsp;lie, I&amp;nbsp;am closer to&amp;nbsp;the truth than documentary photography.” — Tono Stano&lt;br />
“Pataphysics is&amp;nbsp;the science of&amp;nbsp;imaginary solutions?and will describe a&amp;nbsp;universe which can&amp;nbsp;be&lt;s>and perhaps should be&lt;/s>envisaged in&amp;nbsp;the place of&amp;nbsp;the traditional one.” — Alfred Jarry&lt;br />
Staged photography is&amp;nbsp;one of&amp;nbsp;the most creative uses of&amp;nbsp;the medium. Everything comes from the&amp;nbsp;mind of&amp;nbsp;the artist and&amp;nbsp;has to&amp;nbsp;be constructed to&amp;nbsp;be photographed-especially for&amp;nbsp;those working in&amp;nbsp;the studio who&amp;nbsp;begin with a&amp;nbsp;blank slate (there are&amp;nbsp;no&amp;nbsp;references to&amp;nbsp;time or&amp;nbsp;place). Because of&amp;nbsp;the way&amp;nbsp;the artists work, this kind of&amp;nbsp;photography has&amp;nbsp;ties to&amp;nbsp;theatre and&amp;nbsp;dance, sculpture, “happenings,"” and&amp;nbsp;literature. Photography is&amp;nbsp;particularly well suited to&amp;nbsp;producing narrative fictions because on&amp;nbsp;some level we&amp;nbsp;believe in&amp;nbsp;them, and&amp;nbsp;because they are&amp;nbsp;always out&amp;nbsp;of&amp;nbsp;context-the viewer is&amp;nbsp;invited to&amp;nbsp;weave the&amp;nbsp;“before" and&amp;nbsp;“after” sections of&amp;nbsp;the story themselves. In&amp;nbsp;this way&amp;nbsp;the artists are&amp;nbsp;full of&amp;nbsp;trust and&amp;nbsp;openness-they ask&amp;nbsp;you to&amp;nbsp;engage with them, to&amp;nbsp;follow them into their secret worlds. Even though each of&amp;nbsp;these artists has&amp;nbsp;a&amp;nbsp;distinctive voice, they have many common goals-for instance they are&amp;nbsp;interested in&amp;nbsp;the human condition and&amp;nbsp;our relationship to&amp;nbsp;the landscape. Even at&amp;nbsp;their most absurd or&amp;nbsp;whimsical, they are&amp;nbsp;searching for&amp;nbsp;something honest, something that touches us&amp;nbsp;all. They are&amp;nbsp;truly alchemists-standing in&amp;nbsp;the dark, swirling chemicals, searching for&amp;nbsp;the philosopher's stone-not to&amp;nbsp;turn one&amp;nbsp;metal into another, but&amp;nbsp;to&amp;nbsp;make the&amp;nbsp;soul a&amp;nbsp;more perfect vehicle for&amp;nbsp;divine wisdom.&lt;br />
“In all&amp;nbsp;cases we&amp;nbsp;are being shown glimpses and&amp;nbsp;visions of&amp;nbsp;worlds that are&amp;nbsp;hardly consonant with what most people think to&amp;nbsp;be their everyday perceptions. Yet&amp;nbsp;the medium through which they are&amp;nbsp;proffered records visually persuasive evidence that, if&amp;nbsp;only for&amp;nbsp;an&amp;nbsp;instant and&amp;nbsp;only by&amp;nbsp;contrivance, those worlds did, and&amp;nbsp;do, and&amp;nbsp;can, exist. It&amp;nbsp;would be&amp;nbsp;well to&amp;nbsp;remember that the&amp;nbsp;subversion of&amp;nbsp;expectations is&amp;nbsp;one of&amp;nbsp;the key&amp;nbsp;tactics in&amp;nbsp;all of&amp;nbsp;contemporary art.” — A.D. Coleman&lt;/div>&lt;br />
&lt;b>Удалено:&lt;/b>&lt;br />
&lt;div class="deletions">&amp;#147;It is&amp;nbsp;possible to&amp;nbsp;create any&amp;nbsp;picture a&amp;nbsp;person imagines.&amp;#148; -Les Krims&lt;br />
&amp;#147;When I&amp;nbsp;lie, I&amp;nbsp;am closer to&amp;nbsp;the truth than documentary photography.&amp;#148; — Tono Stano&lt;br />
&amp;#147;Pataphysics is&amp;nbsp;the science of&amp;nbsp;imaginary solutions?and will describe a&amp;nbsp;universe which can&amp;nbsp;be&lt;s>and perhaps should be&lt;/s>envisaged in&amp;nbsp;the place of&amp;nbsp;the traditional one.&amp;#148; -Alfred Jarry&lt;br />
Staged photography is&amp;nbsp;one of&amp;nbsp;the most creative uses of&amp;nbsp;the medium. Everything comes from the&amp;nbsp;mind of&amp;nbsp;the artist and&amp;nbsp;has to&amp;nbsp;be constructed to&amp;nbsp;be photographed-especially for&amp;nbsp;those working in&amp;nbsp;the studio who&amp;nbsp;begin with a&amp;nbsp;blank slate (there are&amp;nbsp;no&amp;nbsp;references to&amp;nbsp;time or&amp;nbsp;place). Because of&amp;nbsp;the way&amp;nbsp;the artists work, this kind of&amp;nbsp;photography has&amp;nbsp;ties to&amp;nbsp;theatre and&amp;nbsp;dance, sculpture, &amp;#147;happenings,&amp;#148; and&amp;nbsp;literature. Photography is&amp;nbsp;particularly well suited to&amp;nbsp;producing narrative fictions because on&amp;nbsp;some level we&amp;nbsp;believe in&amp;nbsp;them, and&amp;nbsp;because they are&amp;nbsp;always out&amp;nbsp;of&amp;nbsp;context-the viewer is&amp;nbsp;invited to&amp;nbsp;weave the&amp;nbsp;&amp;#147;before&amp;#148; and&amp;nbsp;&amp;#147;after&amp;#148; sections of&amp;nbsp;the story themselves. In&amp;nbsp;this way&amp;nbsp;the artists are&amp;nbsp;full of&amp;nbsp;trust and&amp;nbsp;openness-they ask&amp;nbsp;you to&amp;nbsp;engage with them, to&amp;nbsp;follow them into their secret worlds. Even though each of&amp;nbsp;these artists has&amp;nbsp;a&amp;nbsp;distinctive voice, they have many common goals-for instance they are&amp;nbsp;interested in&amp;nbsp;the human condition and&amp;nbsp;our relationship to&amp;nbsp;the landscape. Even at&amp;nbsp;their most absurd or&amp;nbsp;whimsical, they are&amp;nbsp;searching for&amp;nbsp;something honest, something that touches us&amp;nbsp;all. They are&amp;nbsp;truly alchemists-standing in&amp;nbsp;the dark, swirling chemicals, searching for&amp;nbsp;the philosopher's stone-not to&amp;nbsp;turn one&amp;nbsp;metal into another, but&amp;nbsp;to&amp;nbsp;make the&amp;nbsp;soul a&amp;nbsp;more perfect vehicle for&amp;nbsp;divine wisdom.&lt;br />
&amp;#147;In all&amp;nbsp;cases we&amp;nbsp;are being shown glimpses and&amp;nbsp;visions of&amp;nbsp;worlds that are&amp;nbsp;hardly consonant with what most people think to&amp;nbsp;be their everyday perceptions. Yet&amp;nbsp;the medium through which they are&amp;nbsp;proffered records visually persuasive evidence that, if&amp;nbsp;only for&amp;nbsp;an&amp;nbsp;instant and&amp;nbsp;only by&amp;nbsp;contrivance, those worlds did, and&amp;nbsp;do, and&amp;nbsp;can, exist. It&amp;nbsp;would be&amp;nbsp;well to&amp;nbsp;remember that the&amp;nbsp;subversion of&amp;nbsp;expectations is&amp;nbsp;one of&amp;nbsp;the key&amp;nbsp;tactics in&amp;nbsp;all of&amp;nbsp;contemporary art.&amp;#148; -A.D. Coleman&lt;/div>&lt;/div>
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